Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Melancholy oil painting


Melancholy
1874 7 x 10in (19 x 25cm) Phillips Collection, Washington DC
Painting ID::  844 		Edgar Degas
Melancholy
1874 7 x 10in (19 x 25cm) Phillips Collection, Washington DC
   
   
     
Edgar Degas Portrait of the Artist oil painting


Portrait of the Artist
1854-55
Painting ID::  845 		Edgar Degas
Portrait of the Artist
1854-55
   
   
     
Edgar Degas Henri de Gas and his Niece Lucy oil painting


Henri de Gas and his Niece Lucy
1875-78 The Art Institute of Chicago
Painting ID::  846 		Edgar Degas
Henri de Gas and his Niece Lucy
1875-78 The Art Institute of Chicago
   
   
     
Edgar Degas Leopold Levert oil painting


Leopold Levert
1874
Painting ID::  847 		Edgar Degas
Leopold Levert
1874
   
   
     
Edgar Degas Rene-Hilaire De Gas oil painting


Rene-Hilaire De Gas
1857
Painting ID::  848 		Edgar Degas
Rene-Hilaire De Gas
1857
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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